Unadapted short stories by Sir Arthur Conan Doyle, M. R. James, W. W. Jacobs, Fritz Leiber and Jane Gardam. ... This collection of five stories explores a variety of different literary approaches to the genre of horror. From a violent spirit brought to life by an old whistle, to a terrifying monster who lives deep under the ground, these stories will terrify and entertain fans of horror everywhere. This book is both in British and American English. ... |
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Àñòðîëîãè÷íà ëþáîâíà òàêòèêà íà ßíà Øàðàíà. ... Ùîì â ìîìåíòà ÷åòåòå òîçè òåêñò, çíà÷è êíèãàòà âè å çàèíòðèãóâàëà. Âåðîÿòíî ñòå ÿ ïðåëèñòèëè íàáúðçî è ñåãà ñå ÷óäèòå êàêâî å òîâà - åïèñòîëàðåí ñáîðíèê, ó÷åáíèê ïî àñòðîëîãèÿ, æåíñêà èçïîâåä èëè ïðîñòî åêñöåíòðè÷íà èçìèøëüîòèíà? Àêî ðàçáèðàòå îò àñòðîëîãèÿ, ùå îòêðèåòå, ÷å çâåçäèòå ìîãàò äà îáÿñíÿâàò, äà ïîäðåæäàò, äà ïðèäàâàò ñìèñúë - è áåçñïîðíî ùå ðàçáåðåòå êíèãàòà ïî-ëåñíî Àêî ïúê ñòå ñå âëþáâàëè ïîíå âåäíúæ äî ïúëíî óìîïîìðà÷åíèå, ùå ÿ ðàçáåðåòå îùå ïî-ëåñíî, à îñòðîóìèåòî è ñàìîèðîíèÿòà íà ãåðîèíÿòà ùå âè äîñòàâÿò èñòèíñêî áúëáóêàùî óäîâîëñòâèå. "Ïèñìà îò òèãàíà& ... |
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The Biology of Humans at our Best and Worst. ... Why do human beings behave as they do? We are capable of savage acts of violence but also spectacular feats of kindness: is one side of our nature destined to win out over the other? Every act of human behaviour has multiple layers of causation, spiralling back seconds, minutes, hours, days, months, years, even centuries, right back to the dawn of time and the origins of our species. In the epic sweep of history, how does our biology affect the arc of war and peace, justice and persecution? How have our brains evolved alongside our cultures? This is the exhilarating ... |
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Ïðåäè áëèçî 20 ãîäèíè Led Zeppelin ïðåäñòàâèõà "BBC Sessions", âúçòîðæåíî ïðèåòèÿ äâîåí äèñê ñ ëàéâ çàïèñè íà ñåëåêòèðàíè èçÿâè ïî BBC Radio â ïåðèîäà îò 1969 äî 1971. Òàçè ãîäèíà ãðóïàòà èçäàâà "The Complete BBC Sessions" - îñúâðåìåíåíà âåðñèÿ íà êîëåêöèÿòà, ðåìàñòåðèðàíà ïîä çîðêèÿ ïîãëåä íà Äæèìè Ïåéäæ è âêëþ÷âàùà îñåì íîâè íåèçäàâàíè çàïèñà, êàêòî è òðè ïåñíè îò "èçãóáåíè" ñåñèè îò 1969. "BBC Sessions" îðèãèíàëíî èçëèçà ïðåç 1997 è ïîëó÷àâà äâîåí ïëàòèíåí ñåðòèôèêàò îò RIAA. "The Complete BBC Sessions" íàäãðàæäà ïðåäèøíîòî èçäàíèå ñ îùå åäèí äèñê ñ îñåì íîâè ïåñíè, ... |
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Êíèãàòà å ïîñâåòåíà íà ðåæèìà íà íåñúñòîÿòåëíîñòòà ïî Òúðãîâñêèÿ çàêîí (ÒÇ).  íåÿ çà ïúðâè ïúò ó íàñ ñà ôîðìóëèðàíè îñíîâíèòå ïðèíöèïè íà ïðîèçâîäñòâîòî ïî íåñúñòîÿòåëíîñò; íàïðàâåí å äåòàéëåí àíàëèç íà ïîíÿòèåòî çà ñâðúõçàäúëæåíîñò ïî ÷ë. 742, àë. 1 ÒÇ è å èçÿñíåí èíñòèòóòúò íà ïðåêðàòÿâàíå íà äîãîâîðè îò ñèíäèêà ïî ÷ë. 644 ÒÇ. Ñïåöèàëíî âíèìàíèå å îòäåëåíî íà êðåäèòîðèòå íà íåñúñòîÿòåëíîñòòà, íà îáõâàòà è ïîñëåäèöèòå îò ñïèðàíåòî íà ñúäåáíè è èçïúëíèòåëíè ïðîèçâîäñòâà ïî ÷ë. 637 è 638 ÒÇ, íà ñïèðàíåòî íà ïëàùàíèÿòà êàòî ïðåçóìïöèÿ çà íåïëàòåæîñïîñîáíîñò ïî ÷ë. 608, àë. 2 ÒÇ è íà âúïðîñèòå íà ïîñëåñìúðòíàòà ... |
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Editor: N. K. Jemisin. Series editor: John Joseph Adams. ... Today's readers of science fiction and fantasy have an appetite for stories that address a wide variety of voices, perspectives, and styles. There is an openness to experiment and pushing boundaries, combined with the classic desire to read about space ships and dragons, future technology and ancient magic, and the places where they intersect. Contemporary science fiction and fantasy looks to accomplish the same goal as ever to illuminate what it means to be human. With a diverse selection of stories chosen by series editor John Joseph Adams and guest ... |
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Ïðåäè òåá áå òÿ. Ñåãà å ìúðòâà. Êúùàòà å àðõèòåêòóðåí øåäüîâúð. Ìèíèìàëèñòè÷åí èíòåðèîð. Ïðîñòîð è ñâåòëèíà. Ïåðôåêòíîòî ìÿñòî äà èçòðèåø áîëêàòà. Äà ñå ïðåðîäèø. Íî èìà ïðàâèëà. Çàãàäú÷íèÿò àðõèòåêò, ïðîåêòèðàë æèëèùåòî, èçèñêâà æåëÿçíà äèñöèïëèíà è ïúëåí êîíòðîë. Âúïðåêè íåâåðîÿòíèòå ñèñòåìè çà ñèãóðíîñò òîçè äîì íå å êðåïîñò, òîé å øêîëà. Èçèñêâà, ïðîâåðÿâà, ïðîìåíÿ.  ìèãà, â êîéòî Äæåéí ïðåêðà÷âà ïðàãà íà Ôîëãåéò Ñòðèéò 1, òÿ å ïîêîðåíà îò óñåùàíåòî çà õàðìîíèÿ, êîåòî íîñè êúùàòà, è ïðèâëå÷åíà îò äåñïîòè÷íèÿ ѝ ñúçäàòåë. Ñêîðî îáà÷å íàó÷àâà, ÷å ìèíàëîòî íà ïåðôåêòíîòî æèëèùå å áåëÿçàíî ñ êðúâ. Åìà - ìîìè÷åòî, ... |
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"It is well know to all how much daily problems the Bulgarian people has in these days. However, more dangerous than anything is the tendency to loose identity and national selfconfidence. This is a clearly visible tendency in the inscriptions of foreign languages, mass emigration and the wish for imitation of foreign culture. At other side, the answer to the question, "Why are you ashamed to call youself Bulgarian?" is more than obvious: there is in the present time to be proud of. The above-described situation makes preservation and popularization of Bulgarian History extraordinarily important. If it ... |
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Ëåä Öåïåëèí ñà â íàé-äîáðàòà ñè ôîðìà â ïåðèîäà ìåæäó 27-29-òè þëè 1973 ã., êîãàòî áàíäàòà çàñíåìà êîíöåðòà ñè â Ìåäèñúí Ñêóåúð Ãàðäúí â Íþ Éîðê "The Song Remains The Same". Ñàóíäòðàêúò êúì ôèëìà, ïðîäóöèðàí îò Äæèìè Ïåéäæ, å èçäàäåí ïúðâîíà÷àëíî ïðåç 1976 ã. "The Song Remains The Same" å ñàóíäòðàêúò íà ëåãåíäàðíèÿ êîíöåðòåí ôèëì ñúñ ñúùîòî èìå, êîéòî å èçäàäåí ïðåç 1976 ã. Èçïúëíåíèÿòà âúâ ôèëìà ñà çàïèñàíè â ïåðèîäà 27-29-òè þëè 1973 ã. â Ìåäèñúí Ñêóåúð Ãàðäúí, ïî âðåìå íà òóðíåòî íà ãðóïàòà â ïîäêðåïà íà àëáóìà "Houses Of The Holy". Êîëåêöèÿòà îò 2 CD-òà ñúäúðæà çàïèñè íà èçïúëíåíèÿ íà ... |
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Ëåä Öåïåëèí ñà â íàé-äîáðàòà ñè ôîðìà â ïåðèîäà ìåæäó 27-29-òè þëè 1973 ã., êîãàòî áàíäàòà çàñíåìà êîíöåðòà ñè â Ìåäèñúí Ñêóåúð Ãàðäúí â Íþ Éîðê "The Song Remains The Same". Ñàóíäòðàêúò êúì ôèëìà, ïðîäóöèðàí îò Äæèìè Ïåéäæ, å èçäàäåí ïúðâîíà÷àëíî ïðåç 1976 ã. "The Song Remains The Same" å ñàóíäòðàêúò íà ëåãåíäàðíèÿ êîíöåðòåí ôèëì ñúñ ñúùîòî èìå, êîéòî å èçäàäåí ïðåç 1976 ã. Èçïúëíåíèÿòà âúâ ôèëìà ñà çàïèñàíè â ïåðèîäà 27-29-òè þëè 1973 ã. â Ìåäèñúí Ñêóåúð Ãàðäúí, ïî âðåìå íà òóðíåòî íà ãðóïàòà â ïîäêðåïà íà àëáóìà "Houses Of The Holy". Êîëåêöèÿòà ñúäúðæà çàïèñè íà èçïúëíåíèÿ íà æèâî íà ... |
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Ñëåä îãðîìíèÿ óñïåõ íà äåáþòíèÿ ñè àëáóì "Let Them Talk", â êîéòî îòäàäå ïî÷èò è ñúæèâè êëàñèêè îò ñâåòà íà áëóñà îò Íþ Îðëèúíñ, Õþ Ëîð èçäàäå ñâîÿ âòîðè àëáóì "Didn’t It Rain".  "Didn’t It Rain" Õþ Ëîðè ñå îòäàëå÷àâà îò çâóêà íà Íþ Îðëèúíñ, êàòî ñëåäâà òðàåêòîðèÿòà íà áëóñà îò ðàéîíà íà Öåíòðàëíà Àìåðèêà.  àëáóìà ñà âêëþ÷åíè ïåñíè, êîèòî âðúùàò íàçàä âúâ âðåìåòî íà ïèîíåðèòå â æàíðà êàòî W.C. Handy ("St Louis. Blues") è Äæåëè Ðîë Ìîðòúí ("I Hate A Man Like You"), êàòî ñúùåâðåìåííî õâúðëÿ ïîãëåä è êúì íÿêîè ñúâðåìåííè èçïúëíèòåëè êàòî Ä-ð Äæîí ("Wild Honey") è ... |
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Ãðàìàòèêèòå óïðàæíÿâàò êîìóíèêàòèâíèòå óìåíèÿ êàòî èçíàñÿíå íà ïðåçåíòàöèè, ðàçãîâîðè ïî òåëåôîíà è âîäåíå íà êîðåñïîíäåíöèÿ. Ëåêñèêàëíàòà èíôîðìàöèÿ å ïðåäñòàâåíà è îáÿñíåíà íà ëÿâàòà ñòðàíèöà, à ïðàêòè÷åñêèòå óïðàæíåíèÿ ñà äàäåíè íà äÿñíàòà ñòðàíèöà. Âòîðîòî èçäàíèå âêëþ÷âà êîìïàêòäèñê ñ èíòåðàêòèâíè óïðàæíåíèÿ è èãðè, ïðîèçíîøåíèåòî íà âñè÷êè äóìè èëè ôðàçè, òåñòîâå êúì âñåêè óðîê è ôîíåòè÷íà òàáëèöà ñ íàñîêè çà ïðîèçíîøåíèåòî. Ó÷åáíàòà ñèñòåìà "Business Vocabulary in Use" ñúäúðæà: êíèãà ñ îòãîâîðè - íèâî advanced êíèãà ñ îòãîâîðè - íèâî intermediate êíèãà ñ îòãîâîðè - íèâî elementary - pre- ... |
